They also have to pay to be there, making a buck. They have to buy the documents they need to stay in Havana for at least six months and bribe the police so they won’t detain them for harassing tourists. They have to eat and pay the rent, after all. They are willing to do whatever is asked of them.Ĭubans are charged a little less than yumas (foreigners), but these working kids will bargain with anyone if they’ve gone many days without taking in enough. When a group of tourists nears, the young men and women prepare for battle: they straighten out their clothes, take out cigarettes, ask for a light, smile, make suggestive gestures. An hour or an entire night of pleasure, or all the time needed to satisfy the lustful cravings of those who pay.Īs night falls, the crowd begins to grow and the competition becomes more intense. The young men and women sell themselves for nearly nothing. An emotionally impactful follow-up to the award-winning For The Bible Tells Me So, this powerful examination of the intersection of religion, sexual orientation, and gender identity offers much-needed healing, clarity, and understanding.HAVANA TIMES - The afternoon settles in Havana and young people who sell their bodies begin to throng on the sidewalk in front of the Payret cinema. Among these is Vico Báez Febo, whose Catholic grandmother locked him out of their house in Puerto Rico when a neighbor outed him, and who later reconnected with his parents after coming out to them when he moved to Miami. Introducing four American families caught in the crosshairs of scripture, sexuality, and identity, this documentary weaves together footage from the national news and the church pulpit with family photos and intimate testimonies to show the undeniable connection between the personal and the political. But politicians and religious conservatives launched a state-by-state campaign to retract the human rights of America’s LGBTQ citizens under the guise of religious freedom. When the Supreme Court legalized marriage equality across the nation in 2015, many assumed that the fight for LGBTQ rights was won. and Guatemala to leather competitions in Brazil. If you’re looking for recommendations on what feature films to catch, look no further than these 11, which cover everything from the perils of so-called gay conversion therapy in the U.S.
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They also feature work from both established (Lizette Barrera) and up-and-coming (Kayden Phoenix) Chicana directors. This is particularly the case in the Episodic and Shorts selections that tell stories of Dominican teenagers in the Bronx, indigenous young men living in the Amazon, and budding lesbians who love going to Church. With films from all over the globe, the 2019 roster will offer LA audiences the chance to see some of the best LGBTQ cinema coming out of Latin America, as well as some of the most exciting queer U.S.
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“The festival is about the extraordinary, diverse, adventurous, and politically engaged work from more than 240 filmmakers who have the courage and confidence to share their visions with us,” said Christopher Racster, executive director, and Mike Dougherty, director of festival programming.
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Indeed, for the second year in a row, more than two-thirds of Outfest Los Angeles’ content is directed by women, people of color, and trans filmmakers. The annual LGBTQ film festival has, as always, curated a program that showcases the wild variety of the queer experience. Pride month may be over, but Outfest Los Angeles is very much ready to keep its spirit alive this month of July.